7 Tips for Narrative Designer Hopefuls

If you're eyeballing the games industry as a destination for your career, and the "writer" or "narrative designer" job seems right up your alley, then you should know what preparations you can make in advance to better position yourself for success. I hope you find these tips helpful, and I look forward to hearing your feedback, thoughts, and success stories.

Don't just play games, critique them. 

When you're playing a game, think like a narrative designer. Notice what works and what doesn't in the UI, in the dialogue, and in the story flow. Look for what's missing, what's misleading, and what's superfluous. Imagine how you might do it better, but also see if you can figure out why they did it the way they did.

The first school for game designers is your own PC/console/mobile device because by playing games you're learning about games. Examining the work of others with a critical eye gives you a view of game design unlike that of a player. When you change your mindset from player to designer, you take the first step toward becoming a professional.

Remember that there's a person and a decision behind every element in the game. For whatever reason, the developers and artists chose the option you're seeing. Develop your questioning mind. Wonder why.

Practice your grammar.

One of the most important bits of advice I ever received about writing was from my high school English teacher, who said: "Before you can break the rules, you have to know the rules." In writing, this applies to grammar, spelling, and proper word choice. 

The last three companies I've worked for have required that I take a writing and editing exam. My being hired was contingent upon how well I did. Many game companies are instituting tests to help weed the pretenders and wannabes from the serious professionals. Make sure you can ace that exam!

Nothing makes a product look less professional than misspellings or poor grammar. Get familiar with The Chicago Manual of Style. At the game companies I've worked for, this is the preferred reference for grammar rules. It can be intimidating at first, but hang in there.

For a more friendly refresher on specific grammar rules, check out Grammar Girl. Mignon Fogarty will feed you grammar in delectable bite-sized portions.

Make checking your word choice a habit.

Learning to spell correctly takes diligence. I've been writing professionally for over 20 years, and to this day, I still check the spelling for words I'm unsure of—and there are plenty! Don't trust the spellchecker! Don't always trust your memory. If in doubt, check it out. I use two sites for this: Dictionary.com and Merriam Webster's. If they conflict, go with Merriam Webster's.

Grammar and spelling aren't the only things you have to be diligent about looking up. Word meaning can trip up even the best writers. It's so easy to get the wrong word because you've heard it used incorrectly in speech or maybe it's a homonym. One recent example for me was the word "floe," which refers to a large chunk of ice. I was thinking it should be "flow," but because I had that niggle of doubt, I checked, and sure enough: "floe."

It's not just odd or uncommon words that can be tricky either. I often see writers misuse prepositional phrases. Someone might say, for example, "In the same token..." when the correct phrase is "By the same token..." Choosing the right preposition isn't always obvious. Hone your inner doubt alarm, learn to listen to it, and check, check, check. The next time it comes up, you'll remember.

We get into bad habits when talking (or on social media) because we aren't held to the same quality bar. As a professional writer, getting over that bar is the job.

Learn what passive tense is and what it isn't.

Passive versus active tense is a sometimes confusing and complex topic. Many people believe that if the writer uses a form of the verb "to be," then it must be passive. The truth is far more complicated. Passive tense has much more to do with how the sentence is structured. You can find some excellent tutorials on this, including one from Grammar Girl or this video tutorial below with Grammar Squirrel by UBC Science Writing.

Take the time to do your research into the differences between active and passive sentence structure. The over-use of passive voice will identify you as an amateur. As an added benefit, active tense tends to be more concise and easier to read.

Write dialogue for different characters.

This is a fun exercise! I'm sure I don't have to tell you why it's helpful. What I recommend is that you find an online random character generator like the one at WritingExercises.co.uk. Let the generator create a character for you, then you name the character, give it a profession and social class, and write a dialogue line for each of the following emotions: happy, angry, surprised, curious, afraid, and dying.

Give each character its own traits and maintain its unique personality across all lines. Dialogue traits fall on a spectrum between extremes such as these:

Over time, you'll develop your own innate sense of these traits and will intuitively know where to go with each new character you write. You'll find that you can combine them in unusual and interesting ways to make your character more interesting. For example, a character who is quiet and yet forceful is different from one that is loud and forceful. Play with it and see what fun characters you can come up with. The best part of this exercise is that you can use your favorites as writing samples to show what you can do.